Showing posts with label salsa dance. Show all posts
Showing posts with label salsa dance. Show all posts

Monday, January 16, 2012

Dance yourself fit!



If you're looking for a new activity that's fun, social and calorie-burning, you sound like you're ready to dance yourself fit!

With 2012 being the year of the olympics, everybody everywhere is on a mission to get fit and boost their health and wellbeing. Unlike tedious running on a treadmill or pedalling on a bike, dancing is a form of exercise that requires no clock watching or strenuous motivation.

There are plenty of different types of dancing that can help you get fit but also leave you with an energy boost and a smile on your face!

Zumba - The latest dance trend that's captured the nation, Zumba fitness really is a fantastic way to get fit. The routines are easy to pick up and an hours session seems to fly by, leaving you buzzing and already excited for next weeks class. And the good news is you can burn up to 500 calories in one session! Great fun for all ages - last week my class ranged from 13 year old girls to 60 year old women!

Dvds - Especially just after Christmas there are tons of workout dvds available. The ministry of sound ones are really good and hard working and then there's all the celeb offerings to choose from. If you're body concious and could rather get fit in your own time in your own company, then these are the way for you. The thing I've found about doing a home workout dvd is as soon as one section ends and another begins, you nip to refil your water and take a breath and sometimes don't commit to finishing the whole hour. Another negative is there's nobody around to see you miss out a couple of the exercises, if you were in a class filled with other people, you might find the motivation to keep going.


Strictly - Just from indulging in watching Strictly Come Dancing every Saturday night we all think we can effortlessly do the Salsa or the American Smooth. They're easy right? If you fancy your hand at becoming a dancing pro like the stars on your screen, book into a professional ballroom class with your partner. You'll match Vincent and Flavia in no time!

Wii - Great for partys, family gatherings, time with the kids, or just playing on your own, the Wii is a great form of exercise if you take advantage of it. Games such as Just Dance and the Wii fit are there to provide a fun way of getting fit.

Aerobics - Not for everyone as some people prefer exercising on their own but going to an aerobics class with a qualified instructor is helpful because you can't get fed up half way through and quit (like you can at home) and you know you've got a professional teaching you so it really will be a good workout for your muscles! If you start in a beginners class, don't worry about not knowing the moves or getting out of breath, look around for support and every other person in the room will be the same as you.


Alexandra Baracska


Wednesday, December 21, 2011

Young women & their unique style



It's difficult to imagine somebody who never shook a leg till her twenties will break all norms to be a hip-hopper and the first break-girl of India, or a trained bharatnatyam dancer since childhood will one day be teaching salsa to people. Two young women talk about their journeys, how they followed their instincts and did what they never expected from themselves.

They challenged stereotypes, faced resistance from many ends, yet created a niche for themselves. All they did was dance to their tunes-the way they liked it best!

Move over B-boys
It's time for the B-girl breaking, an element of hip hop dance, has mostly been associated with boys as it demands immense power and stamina. No wonder, we know it better as b-boying. Ambarin Kadri from Mumbai challenged this odd equation and tried her hands at a dance format that's largely a guys' domain. At the age of 24, she has earned the reputation of becoming the first break-girl of India. AmB, as she is popularly known among fans, is earning kudos for her hip hop moves. Ask her how tough bboying is and she will cut you:

"It's not b-boying, it's b-girling. Simply put, any boy doing break dancing is b-boying, while a girl does it is called b-girling." However, it wasn't that easy to turn AmB from Ambarin. Coming from a conservative family and with no formal training in dance, it was tough for Ambarin to convince family members when she decided to make a career in dancing. "I took to dancing very late as I was always into books and painting with no inclination towards dance or athletics," recalls AmB.


It was during college days when Ambarin started participating in dance shows and to her surprise, earned a lot of appreciation. Right from belly dance, jazz, bollywood style to jive-she dabbled with every form of dance. She experimented with hip hop too and found it most exciting and challenging. "A friend introduced me to a group of hip hoppers. I was thrilled to see their act. I started imitating their moves and would practice them for hours. The fact that there was no girl in the group motivated me to try something new which no other girl had done so far," says AmB.

"Unlike other dance forms, hip hop didn't have many rules. It gave me a sense of freedom- something I was looking for. I started enjoying it and gradually it became a passion," she adds.

It wasn't a cake walk in the beginning though. "Initially, I couldn't even do the basic steps properly. But I picked up with time. After four years of practice, I am now comfortable with freezes, foot work and toprock, but power move is something I still need to learn," says AmB. "Lack of physical activity during the growing up years has also come in the way as this dance form requires tremendous energy. Nowadays I invest considerable time on physical fitness too," she adds. Besides dance practice, she does workout which involves resistance training and weightlifting.

Her turning point came when the dance group, Roc Fresh Crew, accepted her as an official member. "It was a big boost. Their confidence in me made me dream big," she says. Today our group is well recognised. "We do advertisements, music videos and conduct dance classes. But our passion lies in "battles", a term used for dance competitions," she says.

Her ultimate dream is to win a hip hop competition internationally. "Even though I started late, I have worked hard and results have been great so far. I know I need to push my body harder. Today hip hop is no just a dance format for me, rather it has become my lifestyle. It has changed my perception and attitude of dealing with things. I guess I'll always be a b-girl as long as my body supports me," she says.

From Indian classical to Salsa
Having learned bharatnatyam since the age four, Kanika Sharma could have easily cashed in on her years of training and made a great career in classical dance. However, after graduating in Bharatnatyam, Kanika took a U-turn and set on a complete opposite path.

"I decided to start afresh and took to Latin American dance instead. Salsa, jazz, jive, cha cha cha-all these seemed fascinating to me and I started learning them one by one. They were totally different from my previous training and it was tough to adapt to new styles," says 29-year-old Kanika. Since then there has been no looking back for Kanika who is today a dance fusion expert, a wedding choreographer and a salsa teacher-all in one.


As she picked new dance formats, choreographing fusion came naturally to her. Before she could realise, it had turned into a passion. "I started choreographing inter college dance competitions and shows. Soon I was choreographing dance numbers for friends' and relatives' weddings," she recalls.

Gradually, Kanika took wedding choreography at a professional level and has been doing it for the past eight years. "Wedding choreography isn't only about teaching someone a few dance steps. It's a very personal thing where a lot of sentiments are attached and as a choreographer, you need to be sensitive," she points out. "For every wedding, I conduct training for about 1-2 months," she says.

Meanwhile she also opened Dance Cafe studio four years ago. "It's a centre dedicated to fitness, music and dance where we offer training in different dances," she informs.

Recently she got an offer to choreograph a Bollywood musical. "It will be based on the theme of Indian wedding and will be showcased at the Kingdom of Dreams, Gurgaon.

The idea is to present Indian culture in a vibrant and entertaining way," she says. It will be completed by the beginning of next year. "I have selected my team of around 50 dancers Rehearsals are at their peak and we are all too excited about it," says Kanika.

Source: Monalisa Das


Wednesday, November 30, 2011

Fitness Matters: Dance class or dance fitness?



What’s your style?  “Dancing with the Stars” or Zumba?

Burning calories, toning muscles, and having fun all at the same time sounds too good to be true.
Dancing has many benefits including burning calories, building stronger bones, lubricating joints (which helps with arthritis), helping control cholesterol, benefits heart and lungs, strengthens stabilizer muscles that aid in balance and helps to elevate our endorphin levels.

Perfect footwork and body movement patterns make dance an art that becomes a workout. The attention to posture and technique is the center of the performance.

Having an instructor that is patient, has years of experience and teaching correct form is extremely important. It may take more mental work in the beginning to get the steps right, but eventually you will be able to put it all together and feel the workout.

A few years ago, I enrolled in ballroom dance lessons, hoping to learn some dance skills and grace. Like anything worth having, it takes practice, patience  and persistence.

Zumba is on the other end of the dance spectrum. It’s an hour-long workout with easy to follow fast dance moves alternating with slower moves for an interval-training workout that tones muscles and burns calories.

Dance steps are borrowed from meringue, salsa, reggaeand cumbia. The allure is from the perception that it’s more of a dance party than an exercise routine.

With Zumba being so popular, classes can be enormous and filled with enthusiastic but inexperienced folks looking for a great workout. Yes, I was one of these folks (a few months back) trying to better myself by trying something new.

My best advice is to take an intro class to learn proper technique so you can avoid injury and have a good workout.

If you are a Zumba fanatic, be aware of any aches and pains you may feel. Overuse injuries can occur in this type of workou, too, especially if you don’t cross train with other forms of exercise. Zumba involves a lot of pivoting and side to side motions, so having the proper footwear can save your knees and ankles from injury.

No matter what your dance of choice may be, moving and having fun will be a step in the right direction for your health.

Terri Allred, owner of Rochester International Dance Studio, which offers dance and dance fitness classes such as “Shimmy Fit, Latin Fit, and Bollywood Fit” has some tips on what to look for in dance classes and dance fitness classes.

Dance classes:

• Professionally Trained Teachers.

• Breaks down moves with attention to muscle groups, skeletal motivation of movement and posture.

• Culturally authentic moves.

• Can be slower paced initially while learning blocks for progression of skills, coordination, rhythm and tempo.

• Some classes teach choreography and some teach improvisation (free dance in response to music).

• Usually much more individualized attention and feedback about correct movement.

• Can create community and friendships.

Dance fitness classes:

• Want to experience the fun of the music or cultural style but not build skills for dance.

• Faster paced initially since goal isn’t to master a progression of skills, but to get an aerobic workout.

• Can be mixed cultural styles, movements, not necessarily correct posture or technique but goal is movement, not skill.

• Little individual attention, just follow along.

• Can have party atmosphere- feel like you are a member of something.

• Usually much more aerobic than introductory dance classes.

(Terri wanted to note that classes at the RIDS are smaller groups and offer more individual attention than most, and do pay extra attention to posture and technique their classes.)

Shelly Greenfield as an athletic trainer and writer in Rochester. Fitness Matters features the fitness stories of area residents. To offer your story, e-mail sports@postbulletin.com.


Sunday, November 27, 2011

Dancing away to glory to burn extra calories


Saroj Wadhwa, 38, a Kandivli resident, arrived at the Moksh wellness centre at Breach Candy before 8am, determined to attend as many sessions as possible on the last day of the Hindustan Times-Moksh Wellness Festival. “Through the week I had to go to work, so I couldn't be here as much as
I wanted,” she says. “I decided to make up for it today.”

Wadhwa started with the 8am yoga workshop and went on to participate in the next two sessions, on belly dancing and stress management. At noon, she took a break and returned for the zumba, cross fit and tango sessions, the last conducted by Sandip Soparrkar.

“I’ve had a great day,” she said, grinning.

A total of more than 1,500 fitness enthusiasts attended the weeklong wellness festival, organised by Hindustan Times and Moksh — The Wellness Centre as part of Hindustan Times’ Fitter Mumbai campaign.

The festival offered a total of 85 free walk-in workshops, offering participants a chance to try out a wide range of fitness techniques, including various types of yoga, different dance forms such as salsa, ballroom, belly dancing and Bollywood dance, martial arts techniques such as capoeira and kickboxing, and pilates, rebounding, etc.

The workshops also offered participants counselling on nutrition and healthy lifestyle, the art of ageing and stress management.

“We had a huge turnout for the salsa and ballroom dance workshops, with people coming all the way from as far as Bhayander and Vasai,” said celebrity dance instructor Sandip Soparrkar.

“We had to divide them into groups and stretch our scheduled time by half an hour to accommodate them all,” Soparrkar added.

“Zumba saw over 40 participants per class, followed by pilates that had and 30 people per workshop. Bollywood aerobics, and yoga for couples, too had excellent participation,” said Moksh director Rina Nandy.

“I’m impressed with all the workshops I have attended so far. I especially enjoyed the pole dancing class,” said Leena Mukhi, 41, fashion designer from Nepean Sea Road.

Sheetal Mishra, 26, did not miss a single day of the festival and will look forward to more such sessions, she says.

“It was a fantastic week. I’ve never got the opportunity to experience so many forms of activities in such a short span and that too for free. Now I know exactly which fitness regime I should take up and what makes me happy,” said the homemaker.  HT Correspondent


Friday, November 25, 2011

Warning: Salsa can be dangerous to your health!


Anyone who has been dancing salsa for any length of time has surely experienced that painful spike heel in the foot, the elbow that smacked into your head and nearly concussed you, that unwise move or sudden dip that nearly ended up giving either you or a partner an unintended black eye or severe muscle strain and, of course, the manifold bruises that are our usual ‘evidence’ of a hot night dancing at a packed, popular club. While you may emit a sudden yelp, limp off the dancefloor briefly and/or glare/curse at the particular dancefloor villain who inflicted your injury, usually you just chalk it up to a ‘normal’ hazard of the night or shrug it all off with a ‘no pain, no gain’ attitude. But what about SERIOUS dance-related injuries? Surely they just happen to the professional performers, teachers and international salsa stars, don’t they?

Well, I hate to tell you this, but NO! They can happen to anyone – and WILL happen to any keen social salsero/a eventually, if they are not careful – I should know, as I am currently (after 12+ years of frequent social dancing, 10 of which have also involved teaching regularly) dealing with: right-knee patellar tendonitis (from a previous ligament injury but exacerbated by dancing); left-hip trochanteric bursitis (all those spin preps!) and right-arm tendonitis (commonly called ‘tennis elbow’, but I refer to it as ‘Cuban salsa elbow’), not to mention quite pronounced bunions (from years of wearing too-high heels to dance in and doing frenetic pachanga/boogaloo swivels on the ball of the foot), all of which are overuse injuries caused by an excessive addiction to salsa! So, if you love your salsa (and of course you do, or you would hardly be reading this), please pay attention to the following warnings and advice.


WHY INJURIES HAPPEN

First of all, salsa (and mambo, of course) dance, whether we think of it as such or not, is effectively an extremely competitive sport. It is also in fact one of the most highly aerobic forms of exercise we can engage in, so it is going to be an immediate challenge for anyone who is unfit, such as those new to dancing or those who haven’t danced in a while. It is also always going to be difficult NOT to sustain an injury when you are: a. tired; b. have a previous injury or pre-existing medical condition; c. dancing in a hazardous environment (or with a hazardous partner) – but more about these later; or d. trying to do something your body is not yet practically prepared for.


As with any intensive sport, salsa requires many hours of training and practice, particularly if one’s aim is either continually to become better or, especially, the best. And let’s face it, from the moment any of us began dancing salsa, we have always wanted to get better. As we get better, we perhaps begin to compare ourselves with others, or decide we want to be at least as good as so-and-so. So we attend more classes, buy more videos to practice with at home, have more one-to-one sessions with teachers we admire, and attend congresses and workshops halfway around the world. And once we get really good and are acknowledged as such, either we are in frequent demand as teachers or decide we want to try our hand at official competitions – either way, we are now constantly exercising, constantly stretching and extending our muscles, constantly on the go, constantly taxing our bodies. So what is bound to happen at some point, whether we ever make it to a professional level or not, is an injury.

TYPES OF INJURY

One-third of all sports injuries are related to overuse; 80% of these are in the ankle, foot or knee, but can also occur in the calf, hip and lower back – so that is obviously relevant, since these are the limbs and body parts we are most constantly exercising when we dance salsa. Thus, if you are as addicted to salsa as I am, and do it long enough, you are quite likely to incur an overuse injury.

Of sports injuries in general, the most common are:

1)    sprains and strains – muscles and ligaments can be overstretched or twisted, causing long-term damage if repeatedly exercised as these can result in small tears in the muscle.

2)    stress fractures – repetition and force needed for various moves, such as those involving jumping – can eventually cause small (‘hairline’) fractures in the bones of the foot and ankle.

3)    tendonitis – this is a painful inflammation of a tendon (connective soft tissue that helps anchor muscles to bones), as in the Achilles tendon in the ankle or the elbow tendon, resulting in ‘tennis elbow’.

4)    blisters – usually from ill-fitting shoes or other clothing causing chafing to skin.

5)    toenail injuries – usually caused by wearing shoes that crowd and force the toes together, causing bruising of toenails or ingrown toenails  (these are also a contributing cause of bunions, an often painful deformity of the foot that is usually hereditary).

6)      impact injuries – these are usually in the form of a bruise or impact to a joint from falling, or bumping into other dancers or nearby props or furniture.
Injuries specific to salsa:

Of the injuries that are specific to salsa dancing, most are incurred during spins and pivots, so are more likely to affect women than men. However, a few of these apply to both men and women. These include:

1)     Hip pain – Edie the Salsa Freak has already written on the topic of right-hip pain being prevalent in female salsa dancers due to the constant strain on that hip from preparation for spins on the right; however, as I am presently suffering from left-hip pain and know of other female dancers who, like me, originally trained in the Cuban-Colombian style of salsa, in which the man always leads the woman on her right to then turn her to the left, it is then actually the left hip that is bearing most of the strain of the spin in this style.

2)    Strain on the medial ligament – from constant bending/straightening of the legs and transferring weight from one leg to the other repeatedly, as we do in salsa and other Latin dances (eg merengue, cha cha cha).

3)    Shoulder, knee or hip dislocations – these are serious, though not uncommon injuries, which are usually the result of trauma to the ball-and-socket joint caused by forceful impact (as in a fall). However, the kneecap can also become dislocated through sudden twisting, and the shoulder can be dislocated when it is forcefully twisted into an awkward position, such as in a violent, jerky or improperly executed move or spin. Female dancers are more likely to be susceptible to knee dislocations as they may have improper leg alignment or their quadricepts muscle may be out of shape.

4)    Excessive dehydration and heat stroke – dehydration is the loss of water and salts that are essential to the body’s normal function; it occurs when the body loses more fluid than it takes in. If a person becomes dehydrated and cannot sweat enough to cool their body, their internal temperature may rise to dangerously high levels and cause heat stroke.

5)    Exercise-related migraine – one salsera I know told me that she had experienced a sudden, excruciating onset of migraine (having never had this before) after continuing to dance for several hours when she was severely dehydrated.

6)    Bruises and punctures – from forceful impact with other dancers or dancers’ high heels or jewellery. Some of these can be quite painful; if there is swelling or a wound is open and bleeding, it may be necessary to stop dancing and apply ice to the affected area, or to clean and sterilise the wound and then apply a bandage to prevent infection.

7)    Lower-back injuries – dancing on concrete or other hard-floor surfaces places a lot of strain on the spine and lower back, which may then become more susceptible to injury.

8)    Plantar fascial strain to foot – this is a series of fine tears in the sheet of fibrous tissues extending from the foot to the heel. It is one of the most common foot injuries experienced by dancers, and occurs as a result of a jarring strain to the foot from dancing on hard surfaces.

9)      I am sure there are many more that I have missed out; please feel free to add your comment at the end of this article if you or someone you know has experienced any other type of salsa-specific injury.


Source: salsaeditorial


How to Exercise to Salsa Music



Salsa music is a Latin style of fast-moving music that has become a popular exercise method. The dance for salsa music typically involves six steps for every eight beats of music, and combines abdominal and hip-strengthening movements with cardiovascular activity. Even for inexperienced dancers, salsa music can be easily transformed into a workout routine with a few easy steps and some fast-paced salsa music.

Instructions

1) Salsa music is a Latin style of fast-moving music that has become a popular exercise method. The dance for salsa music typically involves six steps for every eight beats of music, and combines abdominal and hip-strengthening movements with cardiovascular activity. Even for inexperienced dancers, salsa music can be easily transformed into a workout routine with a few easy steps and some fast-paced salsa music.



2) Watch a few beginners salsa-dancing videos either online or on instructional DVDs from professionals. Practice the back-and-forth movements shown in the videos that make the foundation of salsa music. For example, the starting position in salsa is with both feet together, and then the left foot steps back and forward, followed by the right foot in the opposite motion.


3) Enroll in a salsa dance or exercise class. Follow the instructor, and practice the basic and intermediate steps until the speed of the dance becomes normal. Try to keep up with the beat with both your head and body; salsa lessons can move quite fast. Remember to ask for specific instructions if you are having trouble keeping up with the instructor.


4) Develop an individual salsa dance, incorporating more advanced moves like hip-swinging, cross-stepping and spins. Once you can perform these moves in rhythm with the basic moves as a foundation, try out faster songs. The faster the song goes, the better exercise your body will get.


Source:Justin Davis
image credit: Olivia Santili


Monday, November 14, 2011

Take Quick Steps to Dance Floor Fitness


THE return of Strictly Come Dancing has transformed Saturday night viewing but if you take a lead from the stars of the show you can transform your fitness too. Dance is the ultimate workout.

It burns around 320 calories an hour or 100 calories more than a brisk walk, and exercises all the major muscle groups. Unlike many other forms of exercise it’s also fun.

That’s why Zumba exercise classes have become so popular says Alberto “Beto” Perez, the choreographer from Colombia who devised the fitness programme based on salsa moves.

Beto has worked with pop singer Shakira and other stars and says: “People hate exercise but they love to party.

“The fitness industry creates programmes for people who like the gym but that’s only five per cent of the population. With Zumba you see three generations in one class.”

Healthcare giant Bupa has also recognised the benefits of ballroom and launched Shall We Dance.


The campaign, spearheaded by Daily Express columnist Ann Widdecombe and Strictly partner Anton du Beke, encourages care home residents to be more active.

Dr Clive Bowman, medical director of Bupa Care Services, says: “Dancing is beneficial for maintaining good health and wellbeing.

“It can be helpful in conditions as diverse as dementia, arthritis and Parkinson’s disease. It can also help to reduce falls by improving co-ordination, while the social element can improve confidence and reduce isolation.”

Dr Robert Bonow, former president of the American Heart Association, says: “Dancing is effective because it’s fun.”

Here are just some of the ways you can foxtrot towards fitness.



CARDIO QUICK-STEP

Patients with heart trouble can waltz themselves well say Italian researchers who compared the benefits of dance to a gym workout.

A study of 110 people diagnosed with serious cardiac problems found those who waltzed at least three times a week showed slightly more improvement in heart health and breathing. Oxygen levels in the dancers improved by 18 per cent compared to 16 per cent in the other exercise group.

Three sessions a week of dance aerobics is also enough to produce significant reductions in cholesterol levels, a study at the Baskent University in Turkey has shown.

REEL WAY TO KEEP FIT

Traditional Scottish dances are a better workout than swimming or exercises classes according to a study at Strathclyde University.

Researchers tested 35 women aged 65 to 85 who had been dancing for at least five years and compared their results to 35 non-dancers of similar ages who enjoyed other exercise. All were fitter than average but the dancers showed better strength, stamina, flexibility and balance.

Exercise physiologist Dr Susan Dewhurst helped with the research.

She says: “Not only is country dancing enjoyable and sociable but there appears to be clear evidence it’s an effective exercise for particular types of fitness later in life.”

When University of Hertfordshire researchers compared the fitness levels of dancers from The Royal Ballet and members of the British swimming squad the dancers came out on top in seven out of 10 tests.


BRAIN-BOOSTING BALLROOM

If you’ve got rhythm you’ve probably also got a higher than average IQ say researchers at the Karolinska Institutet in Sweden.

They found volunteers who were good at keeping time to music also performed best at problem-solving.

Dance is the only physical activity which reduces the risk of dementia and provides even more protection than brain-training puzzles such as crosswords, said a study in the New England Journal of Medicine.

The Albert Einstein College Of Medicine tracked the mental health of 469 elderly New Yorkers and found regular ballroom dancing lowered their risk by 76 per cent.

Study head Professor Joe Verghese believes dance is beneficial because it makes a variety of demands on the mind and body.

“Dancing involves precise physical activity, listening to the music, remembering dance steps and taking your partner into account which is very mentally testing,” he says.

Dance is also used in physical therapy for dementia patients and studies have shown listening to favourite tunes helps recover forgotten memories.

BOOGIE AWAY THE BLUES

Exercise in any form helps combat depression but dance is particularly good because it involves getting out and meeting people.

Korean researchers found just 12 weeks of regular dance improved the symptoms of patients with mild depression and before-and-after psychological tests showed significantly lower stress scores.

Blood tests revealed dance produced positive changes in the volunteers’ levels of dopamine and serotonin, which play a key role in mental function.

A University of New England study dubbed the “Tango Trial” found the dance helps switch off the negative thought patterns associated with stress and depression.

TAKE TWO AND TANGO

The steamy South American dance reduces levels of the stress hormone cortisol say German researchers.

Cortisol is part of our fight or flight response and helps regulate blood pressure, immune response and other key body functions.

If we are under too much stress and levels remain high for long periods cortisol can trigger a host of health problems from cardiac disease to brittle bones.

Scientists at Goethe Universität in Frankfurt, Germany, recruited 22 tango fans for a study.

The team measured cortisol levels in their saliva before and after they took to the dancefloor.

They found that the tango triggered a significant reduction.

Study leader psychologist Cynthia Murcia says: “The intimate, close embrace in tango is instrumental in stimulating positive feelings.”

BALLET FOR BONES

Any weight-bearing exercise helps strengthen bones particularly up to the age of 18 to 20 when we reach peak bone density.

Researchers at Melbourne University in Australia discovered ballet is one of the best ways to boost bones. Scans of 143 girls aged eight to 11 showed those who took regular lessons had “significantly” greater bone density which reduces the risk of osteoporosis in later life.

A Leeds University study found children who danced regularly had five per cent more bone than couch potatoes. And researchers at Griffith University, Missouri, are testing their theory that line dancing can help bone problems in older women.


Source: Jane Symons
Image Credit  Sfe SalsaPinoy


Thursday, November 10, 2011

Dance is a great way to stay fit


Gone are the days when dancing was pursued only as a hobby or a childhood passion.

We all know how people today have made dancing a way of life because it comes with its own health benefits and it is an excellent way to remain fit! Today, people are taking up different forms of dancing as an interesting form of exercise. It is looked upon as a more exciting option than going to a gym.

"Dance does not follow a fixed pattern like exercise," says Akash Karnatki, owner of a famous dance academy. "It has a different routine every day. Every form of dance comes with its own set of benefits. Hip Hop is a very good cardio workout as it involves a lot of up and down body movements which need a lot of strength. Salsa is great for the upper body and it helps improve flexibility. B-Boying is best for building muscles as the moves are very athletic. Three minutes of dancing is as good as sprinting if you look at it in terms of calories lost."

Dancing also works wonders for people who have to follow fixed routine schedules. Saket Tibrewal, a young professional who enjoys doing Salsa, Tango, Samba, has been dancing for the last three years and finds dancing to be very refreshing. He says, "I go to my dance classes two days a week. Those two days are the refreshing days in the entire week. I suffered from backaches earlier, but ever since I started dancing, the backaches have gone. I can even walk long distances at a stretch without getting tired. Most importantly, dance works as a stress buster."

Dance is suitable for people of all ages to remain in perfect shape and size. Meeta Shah, a graphic designer, 40, has been regularly going to dance classes with her husband and son for the last seven years. She says, "Going to the gym or for morning walks is very boring.

Dance, apart from keeping me fit, helps me look much younger. It is a great way to socialize and meet new people. Even at my age, I can do Hip Hop with my son, isn't that great?" Classical dancing also comes with its health benefits. Vanita Nagarajan, teacher at a renowned dance academy says, "The different postures of Bharatnatyam, if done correctly, largely benefit the digestive system and one never faces any spinal problem. It helps pregnant women have a smooth delivery." Mahima Pandya, who has been practising Kathak for the last 11 years, says, "It really helps in toning the body and increase stamina.

It requires perfect mind and body synchronization, thus making it as good as any other exercise." "It is as good as yoga and increases concentration levels," adds Vanita. Akash also agrees with her and says, "Dancing requires concentration which helps the mind." No wonder then, dancing is the newest best way to reduce the monotony of gym workouts and remain in the pink of health.

Source: Ano Patel


Monday, November 7, 2011

Dancing into your golden years


From tango to ballroom, dancing in your golden years is great for body and soul

Anne Atherling views herself as an unofficial promoter of dance for the past two decades in the Boston area. She looks back with modest joy on her years coordinating National Ballroom Dance Week, cofounding the Massachusetts Ballroom Dancers Association and the Tango Society of Boston, and renting huge halls for an annual dance bash to ring in her birthday.

But at 81, Atherling is far from sidelined. She still dances five nights a week and twice on Sundays, focusing mostly on the sexy Argentine tango. She struts her stuff at dance studios and halls in Somerville, Cambridge, Brookline, Medford, and at dance clubs at MIT and Harvard University.
Farzi and Kaveh Pahlavan of Newton started dancing together 20 years ago and are still going strong.

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Farzi and Kaveh Pahlavan of Newton started dancing together 20 years ago and are still going strong.

“Dancing is physical fitness yet different from sports because we don’t have injuries, in general, and it’s always social,’’ said Atherling, who lives in Cambridge. Then she confidently smiled and added: “My thing is cuddling up to someone and having fun dancing.’’

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    * Video: Tango at Dance Union in Somerville

Her passion for dance is far from unique. The social dance community in Greater Boston is bursting with activity for singles and couples, many of whom took to dancing well into their 50s, after an empty nest or a divorce propelled them to take new steps - literally.

Betty Hood, who won’t reveal her age but says she’s a “senior citizen,’’ said the majority of those signing up for her classes in her home studio in Needham are couples whose children have moved out. “They say, ‘Hey, what do you want to do?’ And they decide, ‘Let’s try dancing.’ ’’

Part of the reason is what they’re watching on television.

“Dance wasn’t popular when I first started taking ballroom classes, but now it’s a craze,’’ Atherling said, referring to shows such as “Dancing With the Stars’’ and “So You Think You Can Dance.’’ “[They] hit the screens and the studios are booming and competitions are full of senior competitors.’’
Farzi Pahlavan and her husband Kaveh dance at Dance Union in Somerville.


Some dancers pay for hefty private lessons, while others find free or reasonably priced group lessons. And dance festivals of all kinds fill halls regularly.

Kaveh and Farzi Pahlavan of Newton started dancing together 20 years ago “as soon as our children could baby-sit each other,’’ said Kaveh, 60, professor of electrical and computer engineering at Worcester Polytechnic Institute.

They started with basic ballroom such as the cha-cha, rumba, and assorted fox trot steps, he recalled, then moved into West and East Coast swing, Lindy Hop, and salsa. For the past eight years, he said, “we’ve landed in tango.’’

“Tango doesn’t put a lot of pressure on your body,’’ he explained.

“This is a dance you can do to the end of your life because you can adjust your energy level,’’ said Farzi, the owner of a preschool who would not give her age despite her striking appearance in a little black dress and stiletto heels.

The couple, who took first place in the US Championship Amateur Salon Tango last summer, dance four to five times a week, even when traveling for conferences. “We’ve danced all over the world,’’ Kaveh said, explaining they often hop off a plane and go dancing for fun - and to chase away jet leg.

They arrived at their level of expertise after years of private lessons but initially took group lessons, which are much less expensive and encourage practicing with a variety of dance partners. “If you want to go for competition you need private lessons,’’ Kaveh said.

While the Pahlavans came to dancing later in life, many return to it after dabbling in their younger years.

Kate Wendt, 61, of Newton Highlands, danced her whole life, mastering ballet and jazz. She discovered Argentine tango at 48 and “fell in love with it.’’ Recently, she has moved on to salsa and West Coast swing.

“Social dancing is a great way to stay connected to people, expand your network of friends, and stay in shape,’’ she said. “I am the same weight and fitness as when I was in high school, so I think it is working for me.’’

Allen Swartz, 70, and Lee Graffeo, who says she is in her 70s, started dancing together seven years ago. Soon it sparked a romantic interest.

In her first marriage, Graffeo said, “dancing was on special occasions only. Then, after the marriage ended, that’s when I went back to ballroom dancing again, in my 40s.’’ Now she and Swartz mostly dance tango and West Coast swing.

Swartz had danced in his youth but stopped after college. He’s passionate about it now. “What else would enliven one’s aging than a passion?’’ he said. “Find your passion. If you didn’t find it before, you have a few years left. You’d better address it now.’’

Source: Mindy Pollack-Fusi


Tuesday, November 1, 2011

Global Salsa Events

November 2011

01 - 06 Nov  12. Latin-Chem & Swingnitz 


02 - 06 Nov  Istanbul Tango Ritual 


02 - 06 Nov  Afro-Bailar Prague Fesival 


03 - 06 Nov  Belgrade Tango Festival 


03 - 06 Nov  Eastern Balboa Championships 


03 - 06 Nov  Albuquerque Tango Festival 


03 - 06 Nov  "Mountain Magic" Dance Convention 


03 - 06 Nov  Nevermore Jazz Ball 


03 - 06 Nov  Amazonia Latin Festival 


04 - 06 Nov  2nd Lima Salsa Congress 


04 - 06 Nov  Salsorro 


04 - 06 Nov  Salsalove 


04 - 06 Nov  Uni Salsa Camp 


04 - 06 Nov  Goa International Latin Festival 


04 - 06 Nov  Stir It! 


04 - 06 Nov  Texeltango Winterweekend 


04 - 06 Nov  Culture Danse Swing Festival 2 


04 - 06 Nov  Latin Festival Copenhagen 


04 - 06 Nov  PittStop Lindy Hop 


04 - 06 Nov  Byron Latin Fiesta 


04 - 06 Nov  2nd Bachata Festival Munich 


04 - 06 Nov  Salsa Bangkok Fiesta 


10 - 12 Nov  Festival Swing de Paris 


10 - 13 Nov  Siempre Tango Festival in Baden-Baden 


10 - 13 Nov  Holy City Blues Exchange 


10 - 13 Nov  Dragon Swing 


10 - 13 Nov  Dallas Salsa Congress 


11 - 12 Nov  Kizomba weekend with João Rocha 


11 - 13 Nov  Grenoble Swing Dance Festival 


11 - 13 Nov  Bachata Festival Berlin 


11 - 13 Nov  7th Warsaw Salsa Festival 


11 - 13 Nov  SalsaDuero 


11 - 14 Nov  Singapore International Salsa Festival 


11 - 15 Nov  Congresso Mundial de Zouk do Brasil 


13 - 14 Nov  Salsa Gala Limburg 


13 - 20 Nov  TangoconSharm 


17 - 20 Nov  San Francisco Bay Area Salsa Congress 


17 - 20 Nov  LatinoFest Prague 


17 - 21 Nov  Aventura Dance Cruise 
18 - 20 Nov  Roma Salsa Festival 


18 - 20 Nov  5. International Bachata Weekender 


18 - 20 Nov  6th London International Tango Festival 


18 - 20 Nov  Austin Lindy Exchange 


18 - 20 Nov  Russian Bachata Festival & Salsa Room 


18 - 20 Nov  Japan Bachata Cup 

18 - 20 Nov  Australian Salsa Solo Competition 


18 - 20 Nov  Catalina Jazz Dance Festival 


18 - 21 Nov  London Swingvitational 


19 - 20 Nov  3er R-Style Salsa Festival 


20 - 25 Nov  Baila en Cuba 


20 - 27 Nov  Tango Invisible - Encuentro Experimental de Tango 


24 - 27 Nov  Sunshine State Challenge 


24 - 27 Nov  Fandango de Tango 


24 - 27 Nov  4. Tango Festival Freiburg 


24 - 28 Nov  Melbourne Lindy Exchange 


25 - 27 Nov  Carthagosalsa 


25 - 27 Nov  Waterkant Swing 


25 - 27 Nov  Salsa Vitamina Latin Paradise 


25 - 27 Nov  Winter Salsa Gala Hamburg 


25 - 27 Nov  Seattle Salsa Congress 


25 - 27 Nov  Stockholm Salsa Festival "A lo Cubano" 


25 - 27 Nov  Tallinn Salsafestival 


25 - 27 Nov  Automne Swing 


25 - 27 Nov  Biezenmortel Tango-weekend 


25 - 27 Nov  3rd Latinodance Event in Slovakia 


25 - 28 Nov  Leuven Salsa Festival 10th edition 


25 - 28 Nov  6th International Cuban Salsa Congress 


26 Nov - 4 Dec LamuLonga - Tsavo Safari & Tango Festival 


27 Nov - 3 Dec Bailemos Tango Festival 


28 - 30 Nov  Salsa And The City 


























































































































































































































































































Friday, October 28, 2011

Zumba fad dances onto campus


The Zumba workout dance craze has expanded to more than 12 million people around the world and hundreds of Ohio State students are dancing to the beat.

The Latin-inspired group fitness class has found a home at the RPAC. Zumba classes are offered throughout the year and Amanda Crichton, a Group Fitness Instructor at the RPAC, said her classes have been filled since she started teaching Zumba.

"Last fall I was shocked (by how many people were in the class) but now I am used to it," Crichton said.

Zumba has grown in popularity since it first became a business in 2001. However, according to zumba.com, the Latin-infused dance workout was born out of pure accident.

Alberto "Beto" Perez usually taught a traditional aerobics class in his native country of Colombia but when Perez forgot his usual workout music one day, he decided to improvise with his own mix tapes of salsa and merengue music. The class turned out to be a success and has grown into what is now called the Zumba Fitness Party.

Zumba has become one of the most popular fitness classes since it started, said Scott Holmes, the Fitness and Services Program Coordinator.

Each year, group fitness classes are offered free in the first week of the quarter and during finals week. This quarter, 211 people attended the Zumba class in that first week, Holmes said. This is higher than the average 100 people that the free classes usually attract.

One of the students to attend a free session is Ashley Ingram, a first-year in animal science. Ingram said although it was her first time, she enjoyed the experience.

"I don't like exercising, but I couldn't really tell I was exercising," Ingram said.

Zumba has become exceedingly popular in OSU because it is something students can do together, Crichton said.

"You can go with your friends and get the same workout and have a good time," Crichton said.

Ingram said one of her favorite parts of Zumba was that she could do it with her friends.

Another benefit of Zumba is that it is a much more interactive workout than going to the gym, Crichton said.

"It's more than running on the treadmill, you are going to dance," Crichton said. "A girl I had in my class last week said she burned 600 calories."

According to zumba.com, the amount of calories a person can burn doing a Zumba workout varies based on body type, but it is possible to burn hundreds of calories in a class.

In each Zumba class, there are 10 to 12 songs that play to keep the workout going. With short breaks in between, people are able to continually move their body to some of today's most popular pop and Latin songs.

"A lot of people enjoy the music," Holmes said.

Many students ask for certain songs to be used and even though the instructor cannot use every song, it gives students a chance to become more involved, Holmes said.

However, dance-centered exercises do not appeal to all OSU students.

Brittany Baudo, a fourth-year in finance, said she has heard of Zumba from friends and organizations, but she doesn't think following the choreographed Zumba dance moves replaces the gym.

"If you are going to the gym, you get to work at your own pace... you can do whatever you want," Baudo said.

Zumba is centered on certain dance moves and is known for its intense activity during the hour-long class time period.

But some students love the energy.

"I liked it because it was something new, upbeat, energetic, the teacher was great," Ingram said.

Either way, Baudo said she is not surprised by the popularity Zumba has received.

"It's a dance workout. Those are really popular now," Baudo said.

Dance workouts have become increasingly popular not only within OSU but also in the United States. According to zumba.com, Zumba has expanded to more than 110,000 locations and 125 countries.

The popularity of Zumba is something that Holmes said he knew would happen after a similar class featuring Latin dance music received good feedback from students.

"When we started doing this, we knew there was going to be a good response," Holmes said.

Ingram said she agrees with Holmes that the popularity of Zumba is something that is not surprising.

"I didn't know about it and I am glad that I got involved," Ingram said. "It is something I prefer over working out."

Here at OSU, there are many trainers and classes that occur throughout the quarter. To participate in classes in weeks other than the free weeks, students must have a pass to enter a Zumba class. An all-inclusive pass, which is good for any group fitness class at the RPAC, is $50 per quarter, but half-quarter and single session passes can be purchased for $30 and $5 respectively. Passes can be purchased at the RPAC Welcome Center.

Source: Stephanie Kariuki


Monday, October 10, 2011

Taking the time to dance, find your passion — and enjoy your life


Shuffle-hop-step; ball chain, ball chain, ball chain — that was about as far as I got in tap class as a kid. But ever since I was 7 years old, and took those first steps to music, I have been in love with dancing. As I became an adult, however, I forgot what fun it was to dance — as so many of us forget the enjoyable things we did as kids once we mature into our long list of responsibilities as adults. Take the dog out, pay the bills, stop by the grocery store, pick up the dry cleaning, make the lunches, pack the snacks, etc.

I say it's time for all of us to make room for a little "me" time. Here's how I was able to carve out some time to enjoy a passion of mine. I hope it inspires you to do the same.

I was walking through a plaza near my home while waiting for my car to get a new set of tires. It was one of those items on that "list of responsibilities" I mentioned above. As I strolled around, I walked by a ballroom dance studio. I thought to myself, It's time I take a dance class. After all, I had been thinking about it for years. I walked into the studio, picked up a brochure, watched some people practicing, then added "sign up for dance lessons" to my to-do list.

I registered for a package deal for three half-hour sessions of one-on-one dance instruction for $40. After signing up, I immediately bought some ballroom dance shoes — the kind with felt on the bottom, meant for wearing only in the dance studio. That's right: I was taking this seriously now.

When I met with the instructor, he asked which dances I hoped to learn first. Without hesitation, I answered, "the Latin dances." After all, I did grow up in South Florida. For a farm girl from Delhi, Iowa, listening to the Latin influence coming out of Miami, music infused with a Cuban beat, really struck a chord with me. I loved it. You just don't hear that kind of music all across the country. It's special.

During my first few dance sessions, we ran through the rumba, touched on the tango and sauntered on to the salsa. I enjoyed it so much I was laughing — a little at myself and a little because I was having so much fun. It was exhilarating, thrilling, so much so that I couldn't stop smiling. As I danced those first steps, it became clear to me that I could be kind of good at this — but I had some serious work to do first.

I kept at it and attended group classes. I introduced myself to the West Coast swing, the fox trot, the waltz, and of course, dove head first (or maybe it's more accurate to say toe first) into salsa, merengue and cha cha cha. I could really dig the swing. So quintessentially American, I felt like I should be in a movie. Rock step, quick step right, quick step left. It made me want to throw on a poodle skirt and bobby socks.

While I took a few steps of the waltz, I decided to leave that one alone for now. I'd have to come back to it, when my heart was in it. I could see the fun I could have with the fox trot, but at the moment, I was focused. I had my eye on mastering the hip action of the Latin dances. All the others would just have to wait.

I have to say, if you're not used to moving your body, it takes a little while to build the confidence necessary to really pull off one of these dances. It really built the respect I have for people who go on national television — i.e. "Dancing with the Stars" — having never danced a step in their life, only to be paired with a professional dancer and work hard, and through injuries, to try to win that big mirror-ball trophy. But once you get over the fact that your body can move with the music, it's a better thrill than any roller coaster I've ever ridden. Plus, not only are you getting the benefit of exercise, but it's a great test for your brain, too.

Remembering steps and moving in time with music can be a challenge. But the reward far outweighs the risk of putting yourself out there on the dance floor.

After getting a taste of a variety of dances, watching myself in the mirror picking up the steps one by one, slowly building up my repertoire, I set a personal goal. I wanted to do a performance. I set out to master a sequence of steps in a dance, set those steps to music, and put on a performance with choreography. Soon enough, I found out the studio was going to host a "dance challenge" — which is more of a challenge to perform in front of an audience versus a competition. It was the perfect opportunity for me. So, I signed up.

For the challenge, the song you chose to dance to needed to be from a movie. I started searching movies that had to do with dancing — "Dirty Dancing," "Shall We Dance," "Dance With Me" — but no luck with my genre of choice, cha cha cha. Then it dawned on me, I had just seen a movie on TV called "The Wedding Date," and in it, there's a scene where the two main characters take a dance lesson. The song that plays is the classic, "Sway." The version from the movie was a little slow, but the song has been redone several times. One last Google search revealed a modern take on it by the Pussy Cat Dolls. That was it.

I worked feverishly with my instructor for months to get the choreography just right. A female instructor worked with my dance instructor and partner to choreograph the steps. Each time I went to the studio for a class, they had new steps for me to learn. They had me doing dips and spins that I had never done before and the pressure was on. But if I ever got concerned that I couldn't get something, they would work with me to modify the step. That should have made me feel better, but the more we changed things, the more difficult it was to remember what step went where. It was tough, and for the first time, I was practicing at home. I didn't set myself up for this performance to be a flop.

I wanted to feel comfortable and confident when it was my time to take the stage. Then, there was the music. Sure, I had found a song, but being the modern-day hit that it was, the tempo was fast. I soon found out that the studio regularly did a little editing to get songs to a more manageable speed for beginners like me, and they managed to slow it down slightly.

The most difficult part about the whole thing didn't have to do with the steps or the music. It was the character. I really had to challenge myself to get into the character of the dance. This involves getting in touch with your inner actor to convey a mood. I could only hope that I could pull that off come showtime.

Next, it was time to consider wardrobe. Who knew those dresses made for ballroom competitors typically run in the $1,000-plus range? To say I had sticker shock would be an understatement. I was rather disappointed that I wouldn't be wearing a feathery, sequined and lacy-gloved ensemble. But there had to be more than one way to get me a sparkly outfit to wear. I paid a visit to the Festival Flea market in Pompano Beach, and sure enough, I found a little black sequined number for $100. It would suit me just as well.

Then it was time. Time for me to hit the floor, time for me to have my very own moment — just like on "Dancing with the Stars." The lights were low, and the mirror ball flickered. I took the stage, and the audience quieted. We stood still, deeply exhaling before the music began. My adrenaline was really pumping now! I said a little prayer to myself that the music wouldn't skip, that it would play at the right speed, and that all would go smoothly. I took a deep breath, and we took our positions.

Just then, the first note blasted out of the stereo. I started the routine, concentrating on my steps and trying to remember to smile and have fun. Once we started dancing, all I could see was the reflection of the sparkle of sequins on my dress in the studio mirrors. The audience disappeared — from my perspective — and I completely focused on my dance partner and the choreography. My heart was beating fast, and I was actually shaking. Despite all that I felt from nerves, I danced my little heart out! I was determined to pull it off. I hit every step, I gave it my all, and it was completely exhilarating.

After all those months of practice, it was over in a flash. A wave of relief came over me. I was so proud to have reached the goal I set for myself. Looking back, I realized that the time really did fly by while I was having fun dancing. I had been taking those dance classes for two years at the time of my performance that evening.

Through the experience of my "Dance Challenge" performance, I learned that dancing makes me laugh, it keeps me active, and it all around just makes me happy. So, here's to all of you in finding what makes you dance.

Source Kery Knutson


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