5:54 AM
Salsa Circuit
It would probably be fair to say that Jennifer Ables has been a dancer all her life.
She began with lessons, of course, starting as a little girl living in West Goshen, "I fell in love with dance; I couldn't stop dancing," Ables, 38, recalled.
But her dad Charles was in the Air Force, and later the Reserves, so relocations were inevitable. With a move to Virginia when Ables was about 8, then back to Uwchlan in the middle of sixth grade, dance made difficult transitions a little easier. "It's hard when you move when you're young, but dance gives you an instant community ... dance is a (common) language that you speak."
Soldiers Who Salsa is a dance program offered as part of the physical therapy for military personnel at the Southern California facility. It started with physical therapist Mike Podlenski, who was at the time working primarily with amputees. Podlenski was also a student of dance teacher Mary Murphy's, who was a judge and choreographer on the Fox-TV reality show, "So You Think You Can Dance."
Podlenski started incorporating the dance into therapy, but realized the program needed a regular teacher. He asked Murphy, who asked Ables, who eagerly agreed.
It seemed that Ables' life, at least her dance life, was preparing her for this job.
As a girl, her passion for performance grew. She danced through her years at Downingtown High School, her interests expanding from ballet to tap to the school's musicals. And Ables and her mother Janet, who also loved dance, participated in the area's Brandywiners Theatre productions.
After graduation from DHS in 1991, she attended Temple University and got a degree in international business/risk management, heeding that oh-so-practical voice in her head: "I thought I should get a 'real job,' " Ables said with a laugh, although she kept her feet in the creative world as a member of Temple's Diamond Gems dance squad.
Following her time at Temple, a position with an insurance company transferred Ables to Pittsburgh, a city where she knew no one. So as she had when she was a girl, Ables looked toward dance to make her feel at home, this time exploring the world of ballroom.
She loved it. Ables started dancing four or five times a week, eventually dancing competitively and teaching part time. At work she was dealing with the facts and figures of property and marine insurance, but her "real life" was the ballroom. "It was the complete opposite of what I was doing," Ables said.
A fateful decision to leave the business world and take a huge cut in salary by accepting a full-time dance teaching position was, much to her surprise and delight, wholeheartedly supported by her father.
"I was so worried he'd be disappointed. But he said it was really rare to find something you love and be good at it. He said, 'I think you should go for it.' I nearly dropped the phone."
A move to teach in Gaithersburg, Md., led to making close friends but also unfortunately an injury: In the autumn of 2003 she fell and hurt her back. An anticipated 10-day recovery dragged on to four years of pain, physical therapy and gradual healing
Then a minor fall while shoveling snow clinched it: time for another change, and she ended up moving to San Diego in December 2009, again not knowing anyone. There, a serendipitous meeting and interview with celebrity dancer and teacher Murphy led her to Soldiers Who Salsa.
"It's heartbreaking seeing how young these guys are who come back with these injuries, " she said. "I don't know how someone wouldn't want to help them."
As the class started to get rolling, the students were growing in enthusiasm, but there was a dearth of female partners, so "some of the guys
asked if they could bring their wives or girlfriends to class. At the end of one of the classes the third week in, a wife gave me a big hug and said she hadn't danced with her husband since their wedding."
The class was such a success for those with physical injuries, they started including others, such as those with Traumatic Brain Disorder and Post Traumatic Stress Disorder.
"When someone comes back from deployment from what I hear it's really hard to connect again," Ables said of those with PTSD, "but with dancing you can be quiet and still connect."
Although the program ran out of money, Ables and others have volunteered their time and efforts and she is pursuing nonprofit status for the group. She's also hoping to soon offer classes at the Walter Reed National Military Medical Center in Bethesda, Md.
"My goal is to have this program at every major military facility. I think we can do a world of good," she said.
Ables said her approach to teaching with the servicemen and servicewomen is the same as to any other class.
"To me, I don't teach any differently. I'm just more aware. When people are first learning to dance, all of the issues are the same (regardless of health). They're worried about looking foolish, about not being able to learn the steps and stepping on their partner's foot. They are the same anxieties that everyone has.
"The goal of the good teacher is to pay attention to the class. If I'm doing something and I see everyone's got it, maybe we can push a little bit more. You need to keep class fun and interesting.
"I think that all of us wonder what is the purpose of negative things. I understand what it's like to be in chronic pain, depressed and angry. But I also understand the joy that comes from dancing and music."
-- More information on Soldiers Who Salsa is available at soldierswhosalsa.org .
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